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BIOGRAPHY

Alfred Cheng
B. Hong Kong. 1988

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Alfred Cheng is a pioneering thread artist whose distinctive approach involves weaving a single strand of thread across a canvas to terminal points along its perimeter – an artful technique that results in a mesmerizing aesthetic experience.

 

This black thread is not merely a visual symbol, it also serves as a means to challenge material perception. It connects the various elements within the work, forming a structural linkage. This formal unity allows viewers to experience a sense of harmony visually, while simultaneously suggesting underlying tension and uncertainty.

 

In contemporary art, line serves as a symbol that carries multiple cultural meanings. It can represent boundaries, connections, or separations, while also reflecting various relationships within society. Alfred Cheng skillfully employs the medium of thread to challenge traditional concepts and delve into issues of identity and power, prompting viewers to reflect on their relationship with society.


Alfred Cheng's work embodies a challenge to social structures, emphasizing the diversity and inclusivity advocated by postmodernism. Through these explorations, his works not only stimulates reflections on identity and power but also encourages viewers to find their place within a complex society and to redefine the relationship between themselves and others.

鄭偉浩(Alfred Cheng)是一位開創性的藝術家,他以獨特的手法在畫布上以一根純粹的黑線來回穿梭至周邊的每個點,

這種藝術技巧創造出令人著迷的美學體驗。

 

這條黑線不僅是一個視覺符號,更是一種挑戰物質感知的手段。鄭偉浩在作品中將各個元素串聯起來,

形成一種結構性的連結。這種形式上的統一,讓觀眾在視覺上感受到和諧,但同時也暗示著潛在的張力與不確定性。

 

在當代藝術中,線作為符號,承載著多重文化意義。它不僅可以代表界限、連結或隔離,還反映出社會中的各種關係。

鄭偉浩巧妙運用線的媒介,挑戰傳統觀念,深入探索身份和權力等議題,進而促使觀眾反思自身與社會之間的關係。

 

鄭偉浩的作品體現了對社會結構的挑戰,強調了後現代主義所倡導的多元性與包容性。透過這些探索,他的藝術不僅引發了對身份與權力的思考,還鼓勵觀眾在複雜的社會中尋找自身的位置,並重新定義自我與他者之間的關係。

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